Projectiondesign cineo3+ 1080 User Manual Page 2

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unique features
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The cineo series of production specific DLP® projectors is carefully designed to meet
the requirements of video and film production and editing environments, including post
production, VFX creation, film editing, and broadcast monitoring applications. Where the
primary concern is predictable image quality, reliability, and stability of performance, every
cineo projector fulfils requirements for colour accuracy and consistency, as well as the desired
contrast and brightness levels for a variety of screen sizes.
projectiondesign cineo projectors use Texas Instruments® DLP technology – the very same
technology to be found in most digital cinemas. Therefore, they provide the exact same
cineo series projectors
predictable image quality and accuracy
projectiondesign’s unique RealColor colour management suite guarantees unique colour
accuracy. It provides flawless calibration to any desired HD gamut. Furthermore, the cineo32
LED and cineo80 series projectors feature DCI compatible film space colours, and uniquely
provides the user with the ability to select the desired colour space using optical calibration
rather than electronic compensation. This ensures no loss of precious bit depth.
consistency of performance
Unlike some competing projectors that experience great changes in performance over
time, the cineo series from projectiondesign performs consistently. DLP technology makes
sure that there is no colour shift or degradation, and state of the art lamps or ReaLED™
LED illumination technologies provide the most stable light sources and brightness output
possible. This negates the need for constantly having to recalibrate displays, with the benefit
of less downtime, and more time for actual use.
DLP technology
The use of DLP technology further enhances image quality by ensuring absolute colour
uniformity across the projected image. Also, because of the inherent non-organic materials
in use, it is not susceptible to change over the lifetime of the projector, as will happen to
technologies like LCoS and LCD. Special attention has been paid to ensure the complete
absence of cross talk between colour channels, especially in low level information, so that
there is no electronic colour shift. External 1D and 3D LUT calibration is easily possible with
absolute correctness.
the cineo series solution
The cineo series provides the solution to many users’ requirements. Its consistent
performance over time, predictable image quality and endless configuration options are
unique for a range of applications and environments. The projectors’ small size make them
perfect for fitting into smaller suites and rooms without sacrificing performance at any point.
Despite beliefs that a screening, development, or editing suite projector must be 2k or even
4k resolution, this is often not the case. More important than actual resolution is the film like
quality and tonality of the display, and the fact that the screen looks like the final product.
As a real alternative to high cost DCI compliant solutions based on 2k or 4k resolution
technologies, the entire cineo series is based on the much more affordable 1080p resolution,
but delivering the same high performance on all levels but the last 6% of pixels.
projectiondesign ProNet Manager
projectiondesign ProNet.Manager is a fully scalable network asset management software
solution that enables status monitoring and control over any number of projectiondesign
projectors, using standard IP network (LAN/WAN) or RS232 communication. ProNet
management is available as an enterprise reporting tool, ProNet.enterprise, or as a local
status monitoring and control tool, ProNet.site.
experience to the producer, director, or artist. The technology’s inherent qualities ensure an
image free from developing unwanted artifacts over time, such as colour shifts, reduced
contrast, or lack of saturation. Thus, it provides the perfect platform for demanding imagery,
with peace of mind as a major benefit.
projectiondesign cineo series projectors are installed in a large number of grading and
preview suites all over the world, and is quickly becoming the professional’s choice in critical
applications.
Grading in final post on feature film – Ninaithale Inikkum. A projectiondesign cineo32 DLP projector is the centerpiece of the Digital Intermediate and grading facility at Gemini Film Lab in Chennai, India.
Image credit: Gemini Film Circuit.
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